It has always fascinated me how editing and pacing can affect stories. The first time I came across this was on the Fight Club: Collector’s Edition DVD, which showed alternate editing for several pivotal scenes in the film. It opened my eyes to how subtle changes in a camera angle or focal point during a scene could convey a completely different message.
The Limey (a completely underrated Soderbergh film starring Terrence Stamp) repeatedly used minor changes in the same scene to elicit different emotional flavors. Even simple conversations are taken to another level when the dialogue continues but all we see are the emotion ridden faces of the actors involved.
One unique way of playing with theme and tone is by re-cutting trailers to established movies. YouTube is littered with them, but here are some solid entries.
Scary Mary
A Christmas Gory
Then again you can go in a completely different direction with some surprisingly good results.
Shining
There’s an entire niche community around re-cutting trailers. I’m all for folks flexing their creative muscles by taking the known into unknown territory because sometimes a little change in perspective can create truly original work. Just look at Wicked.
WHAT MOVIES OR BOOKS DO YOU THINK HAVE BENEFITED FROM A CHANGE IN PERSPECTIVE?
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Unrelated comment: wow, I really LOVE the new look of the blog, Gabriel! Well done!
Twitter: gabrielnovo
February 7, 2010 at 12:07 am
Thanks Brad. My very good friend Lady Otaku put together the header art and Thesis did the rest.
As you can probably attest to, sprucing up the website with a more professional feel has reinvigorated my passion for it. I’m definitely proud of this little slice of digital homestead.
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